Publishers Weekly

Edwards’s sprawling second novel, it turns out, is no less a puzzle than his bestselling The Little Book, and follows on its heels in time, as Weezie Putnam returns from fin-de-siècle Vienna with a new name, Eleanor Burden, and a leather-bound journal that reveals “forthcoming events well into the twentieth century,” handwritten instructions that she believes will determine her destiny. This mysterious “Vienna journal” outlines a series of actions for Eleanor to take, throughout her life, that will make her not only wealthy but a crucial silent playmaker in world history, influencing the likes of Sigmund Freud, Carl Jung, and William James, all while maintaining the facade of a Boston socialite and devoted wife. One of her most significant contributions involves financially backing a conference to bring Freud to the U.S. with the help of her godfather, William James. But Eleanor’s personal triumph is securing a teaching position in Boston for a young Austrian named Arnauld Esterhazy, who becomes a mentor to her young son. But when Arnauld, “swept up in the fervor” of WWI, disappears from her life (breaking with the journal’s predictions), Eleanor’s unwavering faith in the journal is shaken, and she heads to war-ravaged Europe just days after the armistice in a desperate search for Arnauld among the makeshift hospitals that house so many men destroyed by the war. Once again, Edwards has a good time connecting historical events and philosophical ideas, and also connecting this book to his first, though many of those threads remain loose until late in the narrative, and parts of the book feel verbose. But Edwards’s bird’s-eye view of the details of this momentous age makes this companion piece as much fun as his debut.

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Recent Reviews

Los Angeles Times

Now we have the sequel, "The Lost Prince," and readers who are hoping that Edwards will continue with his "big ideas" — destiny, history, the role of the individual, undying love — will not be disappointed.

Publishers Weekly

Edwards’s bird’s-eye view of the details of this momentous age makes this companion piece as much fun as his debut.

Kirkus (Starred Review)

A powerful, intense and fascinating read.

Marie Claire Magazine, August 2012

Time travel back to the turn of the 20th century with Selden Edwards’ THE LOST PRINCE. With a cast of characters that includes Sigmund Freud, Carl Jung, and William James, it’s like Midnight in Paris for the neurotic set.

San Francisco Chronicle – review

“This is a strange and unique love story. On the heels of Edwards' debut novel, "The Little Book" (which took the former English teacher 30 years to write), the author has crafted a daring follow-up. "The Lost Prince" is dense, in no hurry to answer plenty of early questions that it sets up. Indeed, many of these questions span the length of the book, as the reader wades through lengthy discussions and correspondence between the characters. Fortunately, the storytelling doesn't drag… Ultimately, the book is a meditation on love, faith, free will and one's purpose in life.

Press & Media

Garth Stein on The Lost Prince

“Brilliant.  Selden Edwards is a writer of great intellect and wit, and his books are a joy to read. I love The Lost Prince. The Little Book made such an impression on me; The Lost Prince is even better.”

-Garth Stein, author of The Art of Racing in the Rain

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Pat Conroy on The Lost Prince

“I loved Selden Edwards’s first novel The Little Book and told everyone I knew about it.  I just read his second novel The Lost Prince and think that Mr. Edwards has written his finest work so far. Once again, Selden Edwards demonstrates his mastery in blending together philosophy and art with the help of wonderful characters you fall in love with. The Lost Prince is a terrific second novel.”
-Pat Conroy